Текст, перевод и аккорды “Lament”
- egindata{text,17944524} extdsversion{12} emplate{default} ypewriter{smaller{smaller{igger{smaller{smaller{ ypewriter{ ypewriter{ "Lament" by King Crimson The pattern for the lead for the first 38 measures, except where Indicated, is: || | | || | | | That is, a dotted quarter, || | | || | | | then a dotted quarter |/. /.____/ |/. /.____/ | tied to a quarter. ----------------------- 1 2 3 4 E |----------------|----------------|----------------|----------------| B |----------------|----------------|----------------|----------------| 4 G |3-----3---------|3-----3---------|3-----3---------|3-----3---------| 4 D |3-----2---------|1-----2---------|3-----2---------|1-----2---------| A |----------------|----------------|----------------|----------------| E |----------------|----------------|----------------|----------------| 5 6 7 8 |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| |3-----3---------|3-----3---------|3-----3---------|3-----3---------| |3-----2---------|1-----2---------|3-----2---------|1-----2---------| |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| "I guess I tried to show you how, I'd take the crowd with my guitar, 9 10 11 12 |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| |5-----5---------|5-----5---------|5-----5---------|5-----5---------| |5-----4---------|3-----4---------|5-----4---------|3-----4---------| |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| and businessmen would clap their hands, and clip another fat cigar. 13 14 15 16 |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| |6-----6---------|6-----6---------|6-----6---------|6-----6---------| |6-----5---------|4-----5---------|6-----5---------|4-----5---------| |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| And publishers would spread the news, and print my music far and wide. 17 18 19 20 |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| |8-----8---------|8-----8---------|6-------6-------|4-------4-------| |8-----7---------|6-----7---------|6-------5-------|4-------3-------| |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| (notice, two tied quarters here) All the kids who play the blues, would learn my licks with a bottleneck slide. 21 22 23 24 |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| |3-----3---------|3-----3---------|3-----3---------|3-----3---------| |3-----2---------|1-----2---------|3-----2---------|1-----2---------| |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| But now it seems the bubble's burst, 21 22 23 24 |----------------|----------------|----------------|6-7-9-7---6-----| |----------------|----------------|----------------|------------7---| |----------------|----------------|----------------|--------------6-| |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| (Here, the guitar doubles in 24 what the violin plays in 22.) 25 26 27 28 |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| |3-----3---------|3-----3---------|5-----5---------|5-----5---------| |3-----2---------|1-----2---------|5-----4---------|3-----4---------| |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| although you know there was a time, when love songs gathered in my head, 25 26 27 28 |----------------|----------------|----------------|8-9-11--9-8-----| |----------------|----------------|----------------|------------9---| |----------------|----------------|----------------|--------------8-| |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| (Again, guitar doubling in 28 what the violin plays in 26. Note that the third note is an "11" (a D#), not two 1's.) 29 30 31 32 |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| |5-----5---------|5-----5---------|6-----6---------|6-----6---------| |5-----4---------|3-----4---------|6-----5---------|4-----5---------| |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| with poetry in every line. And strong men strove to hold the doors, 33 34 35 36 |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| |6-----6---------|6-----6---------|8-----8---------|8-----8---------| |6-----5---------|4-----5---------|8-----7---------|6-----7---------| |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| While with my friends I passed that age, when people stomped on dirty Floors, 37 38 |----------------|----------------| |----------------|----------------| |6-------6-------|4-------4-------| (Again, these are tied quarters.) |6-------5-------|4-------3-------| |----------------|----------------| |----------------|----------------| before I trod the rock 'n roll stage..." The rhythm for measures 39-52, in 6/4 time, is two dotted quarters, a Quarter, and four eighth notes: || | | |\|\|\|\| || | | | | | | | |/. /. / / / / / | 39 40 |------------------------|------------------------| |------------------------|------------------------| 6 |------------------------|------------------------| 4 |--------------------3\2-|--------------------2\1-| |----------------4\3-----|----------------3\2-----| |2-----2-----2-----------|2-----2-----2-----------| 41 42 |------------------------|------------------------| |------------------------|------------------------| |------------------------|------------------------| |--------------------1/2-|--------------------4\3-| |----------------3\2-----|----------------4\3-----| |2-----2-----2-----------|2-----2-----2-----------| 43 44 |------------------------|------------------------| |------------------------|------------------------| |------------------------|------------------------| |--------------------3\2-|--------------------2\1-| |----------------3\2-----|----------------3\2-----| |2-----2-----2-----------|2-----2-----2-----------| 45 46 |------------------------|------------------------| |------------------------|------------------------| |------------------------|------------------------| |--------------------1\0-|--------------------6\5-| |----------------3\2-----|----------------5\4-----| |2-----2-----2-----------|2-----2-----2-----------| 47 48 |------------------------|------------------------| |------------------------|------------------------| |------------------------|------------------------| |--------------------5\4-|--------------------4\3-| |----------------4\3-----|----------------5\4-----| |4-----4-----4-----------|4-----4-----4-----------| 49 50 |------------------------|------------------------| |------------------------|------------------------| |------------------------|------------------------| |--------------------3\2-|--------------------4\3-| |----------------5\4-----|----------------4\3-----| |4-----4-----4-----------|4-----4-----4-----------| 51 52 |------------------------|------------------------| |------------------------|------------------------| |------------------------|------------------------| |--------------------3\2-|--------------------2\1-| |----------------3\2-----|----------------3\2-----| |2-----2-----2-----------|2-----2-----2-----------| 53 54 |--------0-----------------------|----0---------------------------| |r-------4-----------------------|r---3-----------------------r---| 8 |e-------4-----------------------|e---1-----------------------e---| 4 |s-------4-------------------1\0-|s---0-----------------------s---| |t-----------------------3\2-----|t---------------------------t---| |--------------------------------|--------------------------------| Now the rhythm becomes, in 8/4 time, a quarter, two dotted quarters, a Tied half, and four eighth notes. | | | | | |\|\|\|\ | | | | | | | | | / /. /. /___/ / / / / 55 56 |--------------------------------|--------------------------------| |--------------------------------|--------------------------------| 8 |--------------------------------|--------------------------------| 4 |----3-----2-----1-----------0/1-|----1-----2-----3-----------4\3-| |------------------------4\3-----|------------------------5\4-----| |2-------------------------------|2-------------------------------| "I'll thank the man who'e on the phone and if he has the time to spend." 57 58 |--------------------------------|--------------------------------| |--------------------------------|--------------------------------| |--------------------------------|--------------------------------| |----3-----2-----1-----------0/1-|----1-----2-----3-----------6\5-| |------------------------4\3-----|------------------------5\4-----| |2-------------------------------|2-------------------------------| "The problem I'll explain once more and indicate a sum to lend." 59 60 |--------------------------------|--------------------------------| |--------------------------------|--------------------------------| |--------------------------------|--------------------------------| |----5-----4-----3-----------2/3-|----3-----4-----5-----------7\6-| |------------------------5\4-----|------------------------6\5-----| |4-------------------------------|4-------------------------------| "That ten percent is now a joke. Maybe thirty, even thirty-five." 61 62 |--------------------------------|--------------------------------| |--------------------------------|--------------------------------| |--------------------------------|--------------------------------| |----6-----5-----4-------1\0-3/4-|----4-----5-----6-----------7\6-| |--------------------------------|------------------------6\5-----| |5-------------------------------|5-------------------------------| "I'll say my daddy's had a stroke, he'd have one now if he only was alive." 63 64 |--------0-----------------------|----0---------------------------| |r-------4-----------------------|r---3-----------------------r---| 8 |e-------4-----------------------|e---1-----------------------e---| 4 |s-------4-----------------------|s---0-----------------------s---| |t-------------------------------|t---------------------------t---| |--------------------------------|--------------------------------| The drums now pound out something in 4/4 like this: | | |\|\|\|\ /quarter\| / / / / / / \ rest /| At the same time, the guitar plays this, all notes sustained throughout: 65 66 67 68 |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| 4 |----------------|----------------|----------------|----------------| 4 |3-----2-----1---|--0-------------|------0-----1---|--2-----3---4---| |----------------|--------4-3-2-3-|4---------------|----------------| |----------------|----------------|----------------|----------------| 69 70 71 72 |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| |3-----2-----1---|--0-------------|------0-----1---|--2-----3---4---| |----------------|--------4-3-2-3-|4---------------|----------------| |----------------|----------------|----------------|----------------| 73 74 75 76 |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| |5-----4-----3---|--2-----1-0---0-|1-----2-----3---|--4-----5---6---| |----------------|------------4---|----------------|----------------| |----------------|----------------|----------------|----------------| 77 78 79 80 |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|-------------r--| |----------------|----------------|----------------|-------------e--| |7-----6-----5---|--4-----3-2-1-2-|3-----4-----5---|--6-----7---8s--| |----------------|----------------|----------------|-------------t--| |----------------|----------------|----------------|----------------| 81 82 |--------0-----------------------|----0---------------------------| |r-------4-----------------------|r---3-----------------------r---| 8 |e-------4-----------------------|e---1-----------------------e---| 4 |s-------4-----------------------|s---0-----------------------s---| |t-------------------------------|t---------------------------t---| |--------------------------------|--------------------------------| Just as before, all notes are sustained. Please note that "11\0" And "13\2" denote pull-offs from 11 to 10 (not 0) and 13 to 12, Resp., while "10/11" denotes the usual hammer-on from 10 to 11. Distortion Plays a big part of the sound here, so let 'em ring. Also, the rhythm gets Very tricky. Hammer-ons and pull-offs should be rather subtle. 83 84 85 86 |----------------|----------------|----------------|----------------| |--11\0--10--11--|--10-/11----11--|--11\0--10--11--|--10-/11----11--| 4 |----------------|----------------|----------------|----------------| 4 |11----11--11----|11--------11----|11----11--11----|11--------11----| |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| 87 88 89 90 |----------------|----------------|------12--------|----------------| |--11--11----11--|--11--11----11--|--11--------11--|--11--11----11--| |----------------|----------------|----------------|----------------| |11--------11----|11--------11----|11--------11----|11--------11----| |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| 91 92 93 94 |----------------|----------------|----------------|----------------| |--13\2--12--1313|--12----13--12--|--1313--12--13--|12--13--12--1213| |----------------|----------------|----------------|----------------| |13----13--13----|13----13--13----|13----13--13--13|--13--13--------| |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| 95 96 97 98 |----------------|----------------|----------------|----------------| |--14--14--14--14|14--14--14--1414|--14--14--14--14|14--14--14--14--| |----------------|----------------|----------------|----------------| |14--14--14--14--|--14--14--14----|14--14--14--14--|--14--14--14--14| |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| 99 100 |--------0-----------------------|----0---------------------------| |r-------4-----------------------|r---3-----------------------r---| 8 |e-------4-----------------------|e---1-----------------------e---| 4 |s-------4-----------------------|s---0-----------------------s---| |t-------------------------------|t---------------------------t---| |--------------------------------|--------------------------------| [then last verse with heavy distortion guitar playing God knows what!] }}"I like the way you look at me. . . Say when you want to go and dance all Night" This is the basic rhythm for the ending(it's actually broken down farther in To 7/16, but this is easier to write, moreover the drums seem to be doing Something in 7/4, which makes the melody sound more off beat.) ________ ________ | 7 | | | _| | _| | | | - | | | | | | | | | 8 / / / / / / / / | ypewriter{_____ ____ _____ | | | | |__| | | | | | | | | | | | | | / / / / / / / / | This is the tab: Guitar(in 7/8):(2nd fret position) ----------------------------|----------------------------| ----------------------------|----------------------------| ----------------------------|----------------------------| --------2---4-------2---4---|--------2---4-------2---4---| ----3-------------3---------|----3-----------3-----------| 2-------------2-------------|2-------------2-------------| Do 2x(at 2nd fret pos.) then transpose up 2 frets Do 1x(at 4th fret pos.) then transpose up 2 frets Do 1x(at 6th fret pos.) }} ypewriter{===================== }}}}}}This tablature was figure out and edited by Scott Lillis: sl4q+@andrew.cmu.edu & Kurt Colville: kfcolvil@mailbox.syr.edu enddata{text,17944524}
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