Anji — Davey Graham: текст песни

From jhunix.hcf.jhu.edu!guit Mon Aug 9 08:02:25 1993 Received: from jhunix.hcf.jhu.edu ([128.220.2.5]) by watdragon.uwaterloo.ca with SMTP id <88107-1>; Mon, 9 Aug 1993 08:02:23 -0400 Received: from Listserv ([127.0.0.1]) by jhunix.hcf.jhu.edu with SMTP id <71182-3>; Mon, 9 Aug 1993 08:01:26 -0400 Message-Id: <[email protected]> X-Archive-Key: GUIT Comment: Accoustic Guitar mailing list Precedence: junk Originator: [email protected] Errors-To: [email protected] Reply-To: Brian Kirwan <[email protected]> Sender: [email protected] Version: 5.5.JHU3 From: Brian Kirwan <[email protected]> To: Multiple recipients of list <[email protected]> Subject: versions of Anji Date: Mon, 9 Aug 1993 08:01:17 -0400 Status: RO

Hi, Several people were asking for tab of various versions of anji recently - the next few mails are what I tabbed out from them when I had 5 mins to spare recently! No, these were actually sent out on news a while back - so I'm sure most of you have them already. The order is: Jansch's version Part 1 " " " 2 Alternative Jansh version Paul Simon version

Brian.

TAB for ANJI by Davey Graham This is the main theme I'll Tab and Post the rest next week.

Notes

Time is 4/4 (mostly) Most of it is based on standard Am chord Fret base notes with 4th finger and thumb around neck Strum like flamenco rasguado ie. with open hand I've marked the beats in a couple of places as my spacing is not accurate. 0^1^0 means hammer-on and pull-off The ^ above a note means bend.

_____________ __________ 4th finger thumb

PICK

bend ^ ^ ^ ^

This bar 2/4 time

I'll do the rest of this next week, it's more fun to play than to tab. Cheers Allan

PS. any comments etc email me [email protected]

From jhunix.hcf.jhu.edu!guit Mon Aug 9 08:07:35 1993 Received: from jhunix.hcf.jhu.edu ([128.220.2.5]) by watdragon.uwaterloo.ca with SMTP id <88107-1>; Mon, 9 Aug 1993 08:07:24 -0400 Received: from Listserv ([127.0.0.1]) by jhunix.hcf.jhu.edu with SMTP id <71162-5>; Mon, 9 Aug 1993 08:06:04 -0400 Message-Id: <[email protected]> X-Archive-Key: GUIT Comment: Accoustic Guitar mailing list Precedence: junk Originator: [email protected] Errors-To: [email protected] Reply-To: Brian Kirwan <[email protected]> Sender: [email protected] Version: 5.5.JHU3 From: Brian Kirwan <[email protected]> To: Multiple recipients of list <[email protected]> Subject: Anji - Jansch pt.2 Date: Mon, 9 Aug 1993 08:05:59 -0400 Status: RO

TAB for ANJI by Davey Graham

This is the rest, as promised.

Notes: - play main part, repeat 1st few bars play second bit then 1st few bars of main part play third bit then 1st few bars of main part then Final bit

- Am chords in third part are brush-strummed with fingers, then quickly Damped with palm of right hand.

2nd section

^ ^ ^ ^

^ ^ ^ ^ ^ ^ ^ (note time changes 3/4 - 4/4)

^ ^ ^ ^ ^ ^ ^

^ ^ ^ ^ ^ ^ ^ ^ ^ (note 5/4 time)

3rd section

^ ^ ^ ^ ^ ^ ^ ^

^ ^ ^ ^

Final bit

triplet triplet ^ ^ ^ ^ ^ ^ ^ ^

^ ^ ^ ^

Cheers Allan

If you didn't get the first bit, email me [email protected]

From jhunix.hcf.jhu.edu!guit Mon Aug 9 08:10:15 1993 Received: from jhunix.hcf.jhu.edu ([128.220.2.5]) by watdragon.uwaterloo.ca with SMTP id <88150-3>; Mon, 9 Aug 1993 08:10:11 -0400 Received: from Listserv ([127.0.0.1]) by jhunix.hcf.jhu.edu with SMTP id <71101-3>; Mon, 9 Aug 1993 08:08:04 -0400 Message-Id: <[email protected]> X-Archive-Key: GUIT Comment: Accoustic Guitar mailing list Precedence: junk Originator: [email protected] Errors-To: [email protected] Reply-To: Brian Kirwan <[email protected]> Sender: [email protected] Version: 5.5.JHU3 From: Brian Kirwan <[email protected]> To: Multiple recipients of list <[email protected]> Subject: Anji - Alt. Jansch Date: Mon, 9 Aug 1993 08:08:03 -0400 Status: RO

Recently someone asked for Paul Simon's version of Angie. Here's my take On the Bert Jansch version of Davey Graham's Angie, with a couple of comments About the Paul Simon version as I remember it. I hope that will do ... :-)

Normal tuning

PART A (4/4)

PART B (4/4)

(2/4)

Play 4 measures of Part A into Part C1.

PART C1 3/4 4/4 3/4 4/4 3/4 4/4 5/4

Play 4 bars of A into D

PART D "The Work Song" (4/4)

Play Part A ad lib for several measures

Then repeat Part C2

PART C2 (4/4)

Repeat Part A ad lib to ending

ENDING ritardando ...

NOTES AND COMMENTS

Bert Jansch is probably best known as a member of Pentangle, the legendary British acoustic folk-blues-jazz group. He and John Renbourn (the other Guitar in Pentangle) developed picking styles so complex that they became Known as "folk baroque". Angie appears on Bert's first solo album, which Was originally released on Transatlantic records. I have the American Release, on Vanguard VSD-79212, called "Lucky Thirteen".

Bert was highly influential in the early British folk scene. Donovan Leitch Was so in awe of him that there are songs called "Bert's Blues" and "House Of Jansch" on early Donovan albums. It is not clear whether Paul Simon Learned Angie from Bert or from Dave Graham, although it *is* known that Simon was in England after the recording of Simon and Garfunkel's first Album (and before the electrification of "The Sounds Of Silence").

Some differences in Simon's version: I believe Paul uses three-note chords In Part C1 rather than two-note ones. Something like:

PART C1 (Paul Simon style)

And so forth. Also, his picking on the B string in Part A seems less Intricate and more fluid, e.g. the first measure goes something like:

PART A (4/4)

As far as Part D goes, it is not widely known that this is actually a quote From another song, called The Work Song. I have this on GNP-Crescendo #86, "There's A Meetin' Here Tonight" by Joe & Eddie. The first verse and chorus Lyrics are:

Breakin' up big rocks on the chain gang, Breakin' rocks and soothin' my time. Breakin' up big rocks on the chain gang, Oh Lord I committed a crime. Hold it steady right there while I hit it <HUH> I reckon that ought to get it. Been workin', I been workin', And I still got so terrible long to go.

I highly recommend digging out this obscure gem and listening to it for A deeper understanding of the possibilities inherent in Part D. It's Attributed to Nate Adderly & Oscar Brown Jr., so really Angie ought to have Their names on it as well.

I've always been fond of Angie because it was the first song I learned to Play on the guitar. Yeah, I know. I was too young and stupid to know any Better ... :-)

Oh yes, if you have big hands, it's possible to fret the bass string with your Thumb (wrapped around the neck). Personally, I only do this for the F.

Enjoy!

Howard A. Landman [email protected]

From [email protected] Fri Apr 26 18:11:13 GMT 1993 Path: broadcom!ieunet!ieunet!mcsun!uunet!ogicse!uwm.edu!linac!uchinews!quads!rons From: [email protected] (Josh Ronsen) Newsgroups: rec.music.makers.guitar.tablature Subject: Re: Angie - Paul Simon Version Summary: Thank Roddy Collins, Guitar Master and Cool Dude Message-ID: <[email protected]> Date: 26 Apr 93 18:11:13 GMT Article-I.D.: midway.1993Apr26.181113.275 References: <[email protected]> Sender: [email protected] (News System) Reply-To: [email protected] Organization: University of Chicago Lines: 76 Status: RO

>From [email protected] Mon Apr 26 00:35:13 1993 To: [email protected] ~Subject: A favor...

RPI's Pnews seems to be broken... would you be so kind as to post this On rec.music.makers.guitar.tablature for me? Somebody asked for it a Week ago but I've lost his address. Thanks!

How are things going? I have received scarce news from Through A Telescope Darkly...

~Newsgroups: rec.music.makers.guitar.tablature ~Subject: TAB: Anji (the Paul Simon version) Organization: Rensselaer Polytechnic Institute, Troy, NY

Here a rough approximation of Anji, by Davy Graham, as played by Paul Simon on the Simon & Garfunkel album "Sounds of Silence." Somebody Asked for it a while ago but I lost his address. Simon plays it with A capo on the second fret. I hope whomever I promised this to gets It... enjoy!

(Standard disclaimers apply... this is mostly from memory)

~ == hammer or pull-off, as appropriate ^ == bend # == hit-and-mute sort of chord strum

This is the basic riff; sometimes he throws in an E off the open high string.

Some of the variations he does are:

^^^^^^^^^^^^^^^

From jhunix.hcf.jhu.edu!guit Mon Aug 9 08:10:16 1993 Received: from jhunix.hcf.jhu.edu ([128.220.2.5]) by watdragon.uwaterloo.ca with SMTP id <88107-1>; Mon, 9 Aug 1993 08:10:10 -0400 Received: from Listserv ([127.0.0.1]) by jhunix.hcf.jhu.edu with SMTP id <72191-1>; Mon, 9 Aug 1993 08:08:50 -0400 Message-Id: <[email protected]> X-Archive-Key: GUIT Comment: Accoustic Guitar mailing list Precedence: junk Originator: [email protected] Errors-To: [email protected] Reply-To: Brian Kirwan <[email protected]> Sender: [email protected] Version: 5.5.JHU3 From: Brian Kirwan <[email protected]> To: Multiple recipients of list <[email protected]> Subject: Anji - Simon Date: Mon, 9 Aug 1993 08:08:42 -0400 Status: RO

ANJI (Dave Graham) from "Sounds of Silence" - Paul Simon

I have seen so many versions posted these days, but since I just finished Writing down my own transcription let me post it. The main differences between Simon's version and Bert Jansch's one are In the main section: the bass pattern and the alternance between Am and E Positions for the left hand (you cannot rest on Am). The other sections have sometimes a little bit of dirty picking, (esp. 'up' strokes with two or three fingers, mute effects or bending) not Easy to transcribe exactly. Moral: look at the tab and listen to the record. Capo 3rd fret. I hope the tempo is correct.

Am Am(G) Am(F) E ...