Misty — Errol Garner

From [email protected] Fri Apr 1 11:04:35 EST 1994 Article: 3575 of rec.music.makers.guitar.acoustic Xref: undergrad.math.uwaterloo.ca rec.music.makers.guitar.acoustic:3575 rec.music.makers.guitar.tablature:15613 Path: undergrad.math.uwaterloo.ca!watserv2.uwaterloo.ca!torn!howland.reston.ans.net!cs.utexas.edu!news.unt.edu!news.oc.com!news.kei.com!news.byu.edu!cwis.isu.edu!u.cc.utah.edu!news.cc.utah.edu!jon From: [email protected] (Jonathan Byrd) Newsgroups: rec.music.makers.guitar.acoustic,rec.music.makers.guitar.tablature Subject: JAZZ TAB: Misty by Errol Garner (revised) Followup-To: rec.music.makers.guitar.tablature Date: 31 Mar 94 11:02:33 Organization: University of Utah Lines: 120 Distribution: world Message-ID: <[email protected]> NNTP-Posting-Host: zeus.med.utah.edu Status: RO

Misty By Errol Garner Tablature by Jonathan Byrd

This is a revision of tablature that I posted a few days ago. Thanks To Tim Victor ([email protected]) for spotting several errors, and Offering alternate ways of playing certain passages. Among them:

In part (1.), Tim mentioned that his fakebook listed the chords as F#m7 - B7b5 - Em7 - A7b5. One of my fakebooks has these chords, and Another lists F#7b5 - B7 - E7b5 - A7, so you can take your pick.

My biggest error was in the bridge, where I listed the chord as G#m7, But tabbed the notes for F#m7. The tab has been revised to G#m7, Which is the correct chord. I also added the chord symbol for Gmaj7, Which had been omitted in my original article.

Also in the bridge, I changed the position of the "E7" chord. As I Originally wrote it, the chord did not contain the flatted seventh. The new voicing is much better, but is several frets higher on the Fretboard. If your guitar does not have a cutaway, you'll probably Want to stick with the old voicing.

Once again, follow-ups are set to r.m.m.g.t.

As far as the structure goes, play the first two lines of tab, and Part (1.). Repeat the first two lines of tab, and then jump down to (2.), continuing through to the bridge, and the last verse.

(1.)

(2.)

-- Jonathan byrd [email protected]