Albatros — Fleetwood Mac
From [email protected] Thu Jan 11 15:58:01 1996 Received: from relay-4.mail.demon.net (relay-4.mail.demon.net [158.152.1.108]) by wired.com (8.7.3/8.7.3) with SMTP id IAA11687 for <[email protected]>; Thu, 11 Jan 1996 08:23:06 -0800 (PST) Received: from post.demon.co.uk ([158.152.1.72]) by relay-4.mail.demon.net id ai09340; 11 Jan 96 16:12 GMT Received: from malbro.demon.co.uk ([158.152.185.175]) by relay-3.mail.demon.net id aa03915; 11 Jan 96 16:11 GMT Date: Thu, 11 Jan 1996 15:58:01 GMT From: Malc Brookes <[email protected]> Reply-To: [email protected] Message-Id: <[email protected]> To: [email protected] Cc: [email protected] Subject: TAB: Albatros by Fleetwood Mac (Correction) X-Mailer: FIMail V0.9d X-User: Alpha Test Version Of FI-Mail, DisWin 1.5C:WINSOCKWINDIS Lines: 164 Status: O
I'm sorry, I checked it and checked it, thought it was okay and sent it. But I have since discovered a tiny error, so here's the corrected version.
Albatros by Fleetwood Mac Tabbed by Malc Brookes ([email protected])
I arranged this for solo acoustic guitar several years ago. In section B the bass switches from F# to A (which is in the chord of F#m) As it wasn't possible to keep the original melody and bass. In section C the melody is dropped a whole octave, which allows the F# bass line to be preserved and sounds better, I feel, on an acoustic Than playing it above the 12th fret.
Regards
Malc
Key: H - hammer-on P - pull-off / - slide up - slide down
Section A (play twice)
1st time through (X)
2nd time through
Section B (play twice)
Section C
Section D
Repeat Section A once through to (X) and end with:
Malc Brookes, St Helens, England EMail: [email protected] WWW: http://www.homeless.com/homepages/[email protected]
From [email protected] Mon Jan 15 00:04:01 PST 1996 Article: 52660 of rec.music.makers.guitar.tablature Path: re.wired.com!news.sprintlink.net!malgudi.oar.net!caen!sol.ctr.columbia.edu!spool.mu.edu!howland.reston.ans.net!newsfeed.internetmci.com!tank.news.pipex.net!pipex!demon!malbro.demon.co.uk From: [email protected] (Malc Brookes) Newsgroups: rec.music.makers.guitar.tablature Subject: Re: TAB: Albatros by Fleetwood Mac Date: Thu, 11 Jan 1996 12:54:15 GMT Lines: 26 Message-ID: <[email protected]> References: <[email protected]> NNTP-Posting-Host: malbro.demon.co.uk X-NNTP-Posting-Host: malbro.demon.co.uk X-Newsreader: Forte Free Agent 1.0.82
Sorry, I've since spotted a slight error. In Section B the following Should be
Regards
Malc Malc Brookes, St Helens, England EMail: [email protected] WWW: http://www.homeless.com/homepages/[email protected]
From [email protected] Mon Jan 22 11:36:04 1996 Received: from relay-2.mail.demon.net (disperse.demon.co.uk [158.152.1.77]) by wired.com (8.7.3/8.7.3) with SMTP id GAA28909 for <[email protected]>; Mon, 22 Jan 1996 06:20:30 -0800 (PST) Received: from post.demon.co.uk ([158.152.1.72]) by relay-2.mail.demon.net id ab24922; 22 Jan 96 13:09 GMT Received: from malbro.demon.co.uk ([158.152.185.175]) by relay-3.mail.demon.net id aa08555; 22 Jan 96 13:08 GMT Date: Mon, 22 Jan 1996 11:36:04 GMT From: Malc Brookes <[email protected]> Reply-To: [email protected] Message-Id: <[email protected]> To: [email protected] Subject: TAB: Albatros by Fleetwood Mac (Correction 2) X-Mailer: FIMail V0.9d X-User: Alpha Test Version Of FI-Mail, DisWin 1.5C:WINSOCKWINDIS Lines: 175
In your message dated Thursday 11, January 1996 you wrote : > Archived as music/acoustic/f/fleetwood_mac/albatros.tab. > > I superceded the older copy you sent. > > Thanks > Dean
I've had some feedback about this tab, and I'm afraid I made a slight error in One section. Sometimes it doesn't matter how long you stare at something, a Glaring mistake always seems to slip through. Sorry, here's a corrected version.
Regards, Malc
Albatros by Fleetwood Mac Tabbed by Malc Brookes ([email protected])
I arranged this for solo acoustic guitar several years ago. In section B the bass switches from F# to A (which is in the chord of F#m) As it wasn't possible to keep the original melody and bass. In section C the melody is dropped a whole octave, which allows the F# bass line to be preserved and sounds better, I feel, on an acoustic Than playing it above the 12th fret.
Regards
Malc
Key: H - hammer-on P - pull-off / - slide up - slide down
Section A (play twice)
1st time through (X)
2nd time through
Section B (play twice)
Section C
Section D
Repeat Section A once through to (X) and end with:
Malc Brookes, St Helens, England EMail: [email protected] WWW: http://www.homeless.com/homepages/[email protected]